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Home Tips > Tips By Category > Tips you can implement daily A Christmas Carol in Prose, Being a Ghost Story of Christmas (commonly known as A Christmas Carol ) is what Charles Dickens described as his "little Christmas Book" and was first published on December 19, 1843 with illustrations by John Leech. The story was instantly successful, selling over six thousand copies in one week and, although originally written as a potboiler to enable Dickens to pay off a debt, the tale has become one of the most popular and enduring Christmas stories of all time.
Contemporaries noted that the story's popularity played a critical role in redefining the importance of Christmas and the major sentiments associated with the holiday. A Christmas Carol was written during a time of decline in the old Christmas traditions. "If Christmas, with its ancient and hospitable customs, its social and charitable observances, were in danger of decay, this is the book that would give them a new lease," said English poet Thomas Hood.
A Christmas Carol is a Victorian morality tale of an old and bitter miser, Ebenezer Scrooge, who undergoes a profound experience of redemption over the course of one evening. Mr Scrooge is a financier/money-changer who has devoted his life to the accumulation of wealth. He holds anything other than money in contempt, including friendship, love and the Christmas season.
In keeping with the musical analogy of the title, "A Christmas Carol", Dickens divides his literary work into five "staves" instead of chapters.
Stave I – Marley’s Ghost
The story begins by establishing that Jacob Marley, Scrooge's business partner in the firm of Scrooge & Marley, was dead—the narrative begins seven years after his death to the very day, Christmas Eve. Scrooge and his clerk Bob Cratchit are at work in the counting house, with Cratchit stationed in the poorly heated "tank", a victim of his employer's stinginess. Scrooge's nephew, Fred, enters to wish his uncle a "Merry Christmas" and invite him to Christmas dinner the next day. He is dismissed by his relative with "Bah! Humbug!" among other unpleasantness, declaring Christmas time to be a fraud. Two "portly gentlemen", collecting charitable donations for the poor, come in afterwards, but they too are rebuffed by Scrooge, who points out that the poor laws and workhouses are sufficient to care for the poor. When Scrooge is told that many would rather die than go there, he mercilessly responds, "If they would rather die ... they had better do it, and decrease the surplus population." At the end of the workday, Scrooge grudgingly allows Cratchit to take Christmas Day off, but to arrive to work all the earlier on the day after. Scrooge leaves the counting-house, eats dinner at his usual tavern, and returns to his home, an isolated townhouse formerly owned by his late business partner, Jacob Marley. In keeping with his miserly character, Scrooge lives in a small suite of largely unfurnished rooms within the house which he keeps dark and cold since "darkness is cheap" (the rest of the rooms in the building having been let out as offices). While he unlocks his door Scrooge is startled to see the ghostly face of Marley instead of the familiar appearance of his door knocker. This is just the beginning of Scrooge's harrowing night. As Scrooge climbs the staircase of his house he thinks he sees a locomotive hearse charging up the stairs before him in the dark. As he gets to his room, puts on his dressing gown, and eats his gruel by the fireplace, he sees the carvings on his mantlepiece transform into images of Jacob Marley's face. All of the bells in the house begin to ring loudly. When they stop he then hears a clanking noise. His cellar door opens loudly and then the clanking on the stairs coming upstairs and approaches his room. Marley's ghost passes through the door and appears before Scrooge. Marley has come to warn Scrooge that his miserliness and contempt for others will subject him to the same fate Marley himself suffers in death: condemned to walk the earth in penitence since he had not done it in life in concern for mankind. A prominent symbol of Marley's torture is a heavy chain wound around his form that has attached to it symbolic objects from Marley's life fashioned out of heavy metal: ledgers, money boxes, keys, and the like. Marley explains that Scrooge's fate might be worse than his because Scrooge's chain was as long and as heavy as Marley's seven Christmases ago when Marley died, and Scrooge has been adding to his with his selfish life. Marley tells Scrooge that he has a chance to escape this fate through the visitation of three more spirits that will appear one by one. Scrooge is shaken but not entirely convinced that the foregoing was no hallucination, and goes to bed thinking that a good night's sleep will make him feel better.
Stave II - The First of the Three Spirits
Scrooge wakes in the night and the bells of the neighbouring church strike twelve. The first spirit appears and introduces himself as the Ghost of Christmas Past. This spirit leads Scrooge on a journey into some of the happiest and saddest moments of Scrooge's past, events that would largely shape the current Scrooge. These include the mistreatment of Scrooge by his uncaring father who did not allow his Scrooge to return home from boarding school, or Christmas. The loss of a great love sacrificed for his devotion to business, and the death of his sister who was the only other person who ever showed love and compassion for him. Unable to stand these painful memories and his growing regret of them, Scrooge covers the spirit with the large candle snuffer it carries and he is returned to his room, where he falls asleep.
Stave III - The Second of the Three Spirits
Scrooge wakes at the stroke of one. After more than fifteen minutes, he rises and finds the second spirit, the Ghost of Christmas Present, in an adjoining room. The spirit shows him the meagre Christmas celebrations of the Cratchit family, the sweet nature of their lame son Tiny Tim, and a possible early death for the child; this prospect is the immediate catalyst for his change of heart. They also show the faith of Scrooge's nephew in his uncle's potential for change, a concept that slowly warms Scrooge to the idea that he can reinvent himself. To further drive the point, the Ghost reveals two pitiful children who huddle under his robes which personify the major causes of suffering in the world, "Ignorance" and "Want", with a grim warning that the former is especially harmful. At the end of the visitation, the bell strikes twelve. The Ghost of Christmas Present vanishes and the third spirit appears to Scrooge.
Stave IV - The Last of the Spirits
The Ghost of Christmas Yet To Come takes the form of a grim spectre, completely robed in black, who does not speak and whose body is entirely hidden except for one pointing hand. This spirit frightens Scrooge more than the others, and harrows him with visions of the Cratchit family bereft of Tiny Tim, of Scrooge's own lonely death and final torment, and the cold, avaricious reactions of the people around him after his passing. Without explicitly being said, Scrooge learns that he can avoid the future he has been shown, and alter the fate of Tiny Tim—but only if he changes.
Stave V - The End of It
In the end, Scrooge changes his life and reverts to the generous, kind-hearted soul he was in his youth before the death of his sister. He anonymously sends the Cratchits the biggest turkey the butcher has and spends Christmas Day with Fred and his wife. The next day after Christmas, Scrooge arrives at work early. Cratchit is late and Scrooge pretends at first to be his old selfish self, but then tells Cratchit that he is going to raise his salary. Cratchit is shocked and Scrooge wishes him a Merry Christmas.
The story deals extensively with two of Dickens' recurrent themes, social injustice and poverty, the relationship between the two, and their causes and effects. It was written to be abrupt and forceful with its message, with a working title of "The Sledgehammer". The first edition of A Christmas Carol was illustrated by John Leech, a politically radical artist who in the cartoon "Substance and Shadow" printed earlier in 1843 had explicitly criticized artists who failed to address social issues.
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